BLK JKS: BRENDA FASSIE "TOO LATE FOR MAMA"

12 September 2008

BRENDA FASSIE "TOO LATE FOR MAMA"

2 comments:

MADAMEV said...: EISH! can't stomach the artistic drain we going through in the whole world most importantly ere Emzantsi

many are gone and some r still leaving
RIP Mr Matshikiza, Bheki Mseleku and i must say i have been missing Brenda off late
wish this time will live us something to smile about with experience when its over
all the talent those people had and shared hope we treasure it with our hearts

LOVED YO PERFOMANCE IN ONE OF THE VIDEOS WHERE THE DRUMMER IS DOING SOME DRUMS NOT SURE WHAT THEY R CALLED BUT THAT SESSION IS AMAZING
I COULD ACTUALLY HERE THE SOUND MUCH CLEARER WHERE WAS THAT?; September 18, 2008 at 9:19 PM
Anonymous said...: Kerja Keras adalah Energi kita
yach, kata tersebut adalah kalimat yang harus kita resapi bersama. Dengan slogan Kerja Keras adalah Energi kita semoga saja kita akan memperoleh semangat dan kehidupan yang lebih baik dari hari kehari. Yuk kita ramaikan Kerja Keras adalah Energi kita bersama zulfirman baik saya maupun anda. Kerja Keras Energi kita
Kontes Kerja Keras Energi Kita Keyword Energi kita; November 22, 2009 at 7:40 PM

FOR / ABOUT THE "MYSTERY" EP

Now and then it’s easy to guess that Blk Jks, from Johannesburg, are an African band on their four-song “Mystery EP”. That’s when they go bounding into three-chord South African township grooves in “Lakeside” or overlay the reggae foundation of “Summertime” with syncopated guitars. But Blk Jks make their music in a global swirl of possibilities; they are an art-rock band...While the lyrics (mostly in English) ponder philosophical quandaries — “All the wise men ’round the world don’t know the answers” — the band’s quick-fingered, multilayered vamps well up out of murky echoes, piling jubilation atop the anxiety, before submerging again..........................via THE NEW YORK TIMES

SOMES BRIEF NOTES

Childhood friends Linda and Mpumi grew up on the same block in Johannesburg’s East Rand, where they taught themselves guitar. Forming a band in 2000, early BLK JKS shows and recordings were remarkable for their stacks of guitar drone and head nodding beats, but it was with the addition of bassist Molefi and drummer Tshepang—both of Soweto—that BLK JKS began work with a fresh approach and plunged into its current universe of sound. Heavy club dates and festival gigs followed as they band earned a loyal following across the country.

The November 2007 release of the “Lakeside” vinyl-only 10in marks the band’s international debut with a limited edition of 500 selling at some of the world's best record shops.

The cover of Fader magazine and trip to the US in the spring of 2008 sparked sessions at the famed Electric Lady Studios with Brandon Curtis of Secret Machines at the controls.

The MYSTERY EP that resulted is available now as a vinyl/digital release.

THIRD PARTY PROPAGANDA

What makes them hip is that they’re South African and damn it, they sound it. In fact listening to BLK JKS is kind of like taking a slow cruise through Jozi with your windows rolled down. Afro-jazz riffs segue into tribal rhythms, which swagger through street-level sociology before exploding into hardcore bursts of noise, kwaai kwaito beats and addictive rock hooks. It’s not funk rock. It’s not punk rock. It’s not indie rock. It’s just music, and it’ll infect your mind if you let it.

In many ways the BLK JKS ability to genre hop is reminiscent of South African 80s white rock bands like Via Afrika, whose avant-boere-jive fusion freak-ins and erotic shebeen dub multi-layered mbaqanga chants situated rock in direct opposition to the separate development strategies of Apartheid.

Miles Keylock "Between Rock And The Rainbow Nation"

* MYSTERY EP *

12 September 2008

BRENDA FASSIE "TOO LATE FOR MAMA"

2 comments:

MA LETS GO DUBBING W/ BLK JKS

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FOR / ABOUT THE "MYSTERY" EP

xxx2008 THROWBACKxxxx

OBSERVER MUSIC MONTHLY (UK)

SOUND & VISION

SOMES BRIEF NOTES

"LAKESIDE" WORLD DEBUT

THE FUTURE

CONTACTO

THIRD PARTY PROPAGANDA

POST DATED

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